This publication features some of the artist’s long-term collaborators and interlocutors, including: Tatiana Falcón, with whom she made The Painter’s Garden; the organization Cooperación Comunitaria for The Double Life of the Azoyú Codex; Diana Magaloni around the term ixiptla and In Tilli in Tlapalli; Hubert Matiúwàa, through poems from his book Skin People; Barbara Mundy on cartography and the artist’s floor pieces; Jennifer Reynolds-Kaye on The Intermediaries in Between Alfred Maudslay and Mariana Castillo Deball; and Catalina Lozano about the history of women who have practiced archaeology in Mexico. The publication also includes the essay A Dystopic Mesoamerica by Yásnaya Elena and an excerpt of Emiliano Monge’s novel Weaving Darkness.
Designed by studio Manuel Raeder and published by bomdiabooks, made with the support of siegen
Thanks to Moosh, Kurimanzutto and Muac
The word amarantus, which gives name to Ixiptla V, comes from the Greek aμάρανθος, and describes a flower that never wilts. This plant is still used to prepare ixiptlahuan, which are anthropomorphic and zoomorphic figures that are ritually consumed by some indigenous peoples in Mexico. The amaranth flower represents the persistence of the “uncomfortable objects” that Castillo Deball makes visible in her historical itineraries and approximations, and that keep speaking to us in the present.
Ever since her early works, the artist has explored how chance—a product of the passing of time, erosion, fragmentation, and human intervention, among other factors—determines, to a large extent, the way we learn about the world and the narratives we create. This interest has led her to investigate the history of certain artifacts and their vicissitudes, reproductions, appropriations, and disappearances. The ancient Nahua notion of ixiptla, which can be interpreted as representation, image, and substitute, but also as skin is indispensable for approaching many of Castillo Deball’s projects from the past decade.
Size: 220 x 250 mm
Illustrations: Color, b/w
Format: Soft cover with flaps
Editor: Mariana Castillo Deball
Texts: Catalina Lozano, Tatiana Falcón, Barbara Mundy, Emiliano Monge, Mariana Castillo Deball, Isadora Hastings, Diana Magaloni, Hubert Matiúwàa, Yasnaya Elena
Designer: Mariana Castillo Deball and Studio Manuel Raeder